…for punching this guy, who told Aldrin that the moon landing was faked:
This is an old video, but worth showing to the bodoh believers of conspiracy theories.
Buzz Aldrin = coolest MIT alum.
My dad gave me one dollar bill
‘Cause I’m his smartest son,
And I swapped it for two shiny quarters
‘Cause two is more than one!
And then I took the quarters
And traded them to Lou
For three times — I guess he don’t know
That three is more than two!
Just then, along came old blind Bates
And just ’cause he can’t see
He gave me four nickles for my three dimes,
And four is more than three!
And I took the nickels to Hiram Coombs
Down at the seed-feed store,
And the fool gave me five pennies for them,
And five is more than four!
And then I went and showed my dad,
And he got red in the cheeks
And closed his eyes and shook his head–
Too proud of me to speak!
60 Minutes profile on Rodriguez (amazing story!):
Documentary on Rodriquez’s life, which opened Sundance Film Festival this year:
The New York Times critic Manohla Dargis also wrote a positive review, calling the film “… a hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing.” Critic Dargis subsequently named Searching for Sugar Man one of the 10 best films of 2012.
The great swindle
From pickled sharks to compositions in silence, fake ideas and fake emotions have elbowed out truth and beauty
A high culture is the self-consciousness of a society. It contains the works of art, literature, scholarship and philosophy that establish a shared frame of reference among educated people. High culture is a precarious achievement, and endures only if it is underpinned by a sense of tradition, and by a broad endorsement of the surrounding social norms. When those things evaporate, as inevitably happens, high culture is superseded by a culture of fakes.
Faking depends on a measure of complicity between the perpetrator and the victim, who together conspire to believe what they don’t believe and to feel what they are incapable of feeling. There are fake beliefs, fake opinions, fake kinds of expertise. There is also fake emotion, which comes about when people debase the forms and the language in which true feeling can take root, so that they are no longer fully aware of the difference between the true and the false. Kitsch is one very important example of this. The kitsch work of art is not a response to the real world, but a fabrication designed to replace it. Yet both producer and consumer conspire to persuade each other that what they feel in and through the kitsch work of art is something deep, important and real.
Anyone can lie. One need only have the requisite intention — in other words, to say something with the intention to deceive. Faking, by contrast, is an achievement. To fake things you have to take people in, yourself included. In an important sense, therefore, faking is not something that can be intended, even though it comes about through intentional actions. The liar can pretend to be shocked when his lies are exposed, but his pretence is merely a continuation of his lying strategy. The fake really is shocked when he is exposed, since he had created around himself a community of trust, of which he himself was a member. Understanding this phenomenon is, it seems to me, integral to understanding how a high culture works, and how it can become corrupted.
(more at the link above)
hat tip: aldaily